Wednesday, 21 November 2018

The Big Issue Part 2

Ex Servicemen would are at risk of them most dangerous and persistent type of homeless, which is MEH(Multiple Exclusion homeless.) The 2012 Armed Forces and Community Covenant says local authorities "should" rather than "must" put housing aside for veterans. Research shows that 66,000 veterans need physical or mental health support in the coming years. Veterans who come back from the battleground, without having obtained any medical conditions etc are not given priority, whilst veterans who have obtained medical conditions are given priority. Some social conditions that veterans face are PTSD, Alcohol, Drugs, unemployed, marriages are breaking down,having to wait for mental health support and benefits, they are also at the bottom of housing priority.
                                                           

STILL AT WAR ISSUE

  • Use of green on helmet- links to army
  • Black and white - people believeing that war is only good or bad, also makes him anonymous
  • The font is similar to a confidential file - links to having PTSD in secret
  • Camouflage on helmet - shows hiding
  • Still at war - even after war they are still fighting inside + homelessness
  • Eyes covered - unable to see the real world / civillian life 
  • Helmet protects himself from mental health issues
  • Fighting for future generations / own future
  • Writing over eyes - means not special
  • Futures not being looked after
  • Poppy represents remembrance, in Flanders Fields, Poppy's grown after the war
  • Red symbolises blood.

Social Context

The Big Issue chose to highlight the issue because it was relevant in that temporal context, as the issue was published on remembrance day, and it helps the reader to become slightly more sympathetic.
The issue might be important for the audience as it directs attention towards the topic

At least 13,000 hero soldiers left HOMELESS after leaving the military - and almost all have PTSD
Les, who was honoured for his heroics in the 1982 Battle of Goose Green, was homeless for six months after suffering post-traumatic stress disorder ."
“The Government is spending more than £1billion to prevent homelessness and rough sleeping.”
Armed forces do not help veterans to merge back to society
30000 troops have lost their jobs since 2010

Most media studies on poverty point in the direction of a recurring observation that usually the poor are presented in one of two contrasting frames: the ‘deserving poor’ and the ‘undeserving poor’.
While the frame of deserving poor employs a sympathetic treatment of the poor, the frame of the undeserving poor is built upon the rhetoric of deficiency in individuals who are portrayed as a burden on the taxpayer due to their dependency on welfare policies 
(see also, scroungerphobia, Golding & Middleton, 1982)

Cultivation theory states that high frequency viewers of television are more susceptible to media messages and the belief that they are real and valid. Heavy viewers are exposed to more violence and therefore are effected by the Mean World Syndrome, the belief that the world is a far worse and dangerous place then it actually is. According to the theory heavy viewing of television is creating a homogeneous and fearful populace, however so many studies have been done in this area that really no one knows how or even if violence on TV or in film negatively or positively affects its audience.

Now cultivation theory has taken on a more general definition in regards to mass media. It now extends to encompass the idea that television colours our perception of the world. For example; if someone stays inside and watch news about crime all day, they might be inclined to believe that the crime rate is far higher than it actually is and they might easily become the victim of a crime. Or in another sense heavy viewership of any media   can perpetuate stereotypes both positive and negative. It really comes down to the question of to what extent does reality shape TV and vice versa.


Essay Analysis in Bob We Trust

Q) You will analyse the media language and media representation of the xxx issue of the Big Issue “In Bob we trust” .   To what extent does the Magazine diverge from mainstream/rightwing depictions of the poor/homeless.  Why is the magazines remit an important factor in the way the magazine represents homelessness?  Discuss the social and political context of homelessness…Discuss the impact of homelessness in Britain today from your research.

Word count minimum 750

       


Q) The magazine issue of "Bob we trust" has a much different representation of the homeless , in comparison to the mainstream right wing depiction.

In Right Wing newspapers, the homeless are depicted as being dishonest, untrustworthy, and drug-abusing. Right Wing Papers such as the Daily Mail, and the Telegraph often tell stories about homeless people doing horrible things, while using degrading vocabulary to describe them. They generally think that the homeless people should be avoided, as they are scum. They also believe that they are homeless because of their own actions and wrong doings, and therefore do not deserve any respect, pity or sympathy. This links to Shildrick and Mcdonald theory, which states that "the poor are undeserving of sympathy.

On the other hand, The Big Issue Magazine depicts the homeless in a positive light. This is made apparent by the use of Bob the Cat, which represents hope, as this links to the story of James, who came out of poverty, through the help of this cat. This is use of Barthes Semantic Code. This is also made apparent by the organisation of the magazine cover.

On the front cover of the Big Issue magazine, the words "IN BOB WE TRUST" are emblazoned on the front of the magazine. this links to the American Dollar Bill, which has "In God we trust" written on it. A yellow font is used to symbolise hope, joy and happiness. As we know Yellow is a saturated colours, and therefore contrasts with the muted colours in the background, which symbolises having to sleep outside as a homeless person. This shows how Bob is hope for homeless people. A Midshot is used in order to make Bob look more divine, this links to the religious connotations, of "In God we trust." Bob is the focus of the cover,  as he is the only figure on the page, this is also made more apparent by the fact that the word "Bob" is written in bold on the front. The background uses muted colours in the background, in comparison to the saturated colours at the front, this is also done to make Bob the focus. The background is not in focus, which also makes this point more apparent. The actual scene takes place on a cold, winter night, to show the struggle that homeless people have at night .Bob is a Totem, as he is associated with God therefore inferring a supernatural power, which gives the homeless people faith.

The fact that The Big Issue's main purpose is to give homeless people employment opportunities, shows correlations with the magazines standing and overall depiction of homelessness. This way, by selling the Big Issue, homeless people can not only have employment opportunities, they can also indirectly support the idea that homeless people should be given more opportunities.Whilst, also supporting the cause of fighting against right-wing media's depiction of homeless people, and add others to their cause, with successful sales of The Big Issue. The Big Issue attempts to not give a "hand-out" but give a "hand-up", this means that the homeless would have to work for a chance to reenter normal society, and they would not be given anything for free.

As we know, homelessness is currently a big problem in the UK, which is made apparent by how homeless people are depicted in right wing media. This is why The Big Issue attempts to tackle the problem of homelessness, and also how the homeless are viewed by the majority, due to the depiction of them in the right wing media. Personally, I believe that this is stereotypical, as it is unfair to generalise an entire social group under a few character traits, such as "untrustworthy" or "deceptive." Over time, this makes the reader eventually believe that all homeless people have these qualities, and therefore do not deserve sympathy.

The public's general beliefs regarding homelessness is also affected by the current political situation in the UK. One problem was Brexit, which many Brits, believed would rid the UK of Eastern Europeans, and by extension Homeless Eastern Europeans, which the Right Wing Media implies that there is a vast amount of. This also ties in with the current immigration issue, as many Brits believe that many foreigners are immigrating to the UK, only to immediately become homeless, and not attempt to claim jobs,as they find that they can make more money begging on UK streets than in the streets of their former countries.

Wednesday, 14 November 2018

Print Media: The Big Issue



Colour - Yellow background, whilst the text and the model are using a muted colour.
Type of Shot - Mid Shot
Angle - Looking up at model, which makes her look taller and more impressive
Focus -
Depth of Field -
Mise en Scen -
Body Language - Her arms are by her side, whilst her legs are slightly spread open, whilst she is holding her breath, so her physique looks more impressive
Props - She is wearing a yellow bikini, which corresponds to the yellow background.
Location -
Lighting - Colours are muted, in order for her body to look more toned.
Realism - Her body has unrealistic proportions, so Photoshop is possibly being used
Narrative - Promoting a protein supplement, aimed at women

The Big Issue


From an award-winning magazine offering employment opportunities to people in poverty, to a multi-million pound social investment business supporting enterprise to drive social change. For over 25 years The Big Issue Group has strived to dismantle poverty through creating opportunity, in the process becoming one of the most recognised and trusted brands in the UK.

ince 1991, the magazine has helped over 92,000 vendors earn £115 million. There are currently around 1500 vendors, and last year alone we helped them to earn a total of £5.5 million. Currently the magazine is read by over 400,000 people across the UK and circulates 83,073 copies every week.
Sold for £2.50, and bought for £1.50.

Right Wing Papers;
Daily Mail
The Telegraph

Left Wing Papers:
Daily Mirror
The Guardian

The Telegraph is representing the Romanians in a negative light. "Their removal last Sunday evening was heralded as a great success. The Park Lane Roma had been blamed for a surge in petty crime and begging in London’s West End and creating havoc”.

Daily Mail Westfield article

  • Grooming Gangs
  • Fights 
  • 4 regular people have died
  • Substance Abuse
  • Prostitution
  • Mental Health Issues
  • Colour - background is using muted colours, there are a lot of dark colours
  • Type of shot - long shot, full body shot
  • Angle - 
  • Focus - The background is not in focus, as Bob is the main focus
  • Depth of Field - 

Friday, 9 November 2018

Media Industries (Jungle Book)


After a threat from the tiger Shere Khan forces him to flee the jungle, a man-cub named Mowgli embarks on a journey of self discovery with the help of panther Bagheera and free-spirited bear Baloo.

Production Budget: $175 million

Domestic: $364,001,123   37.7%
+ Foreign: $602,549,477   62.3%
= Worldwide: $966,550,600  

MPAA Rating: PG

Opening Weekend: $103,261,464
(#1 rank, 4,028 theaters, $25,636 average)
% of Total Gross: 28.4%

Production Company: Walt Disney 

was produced by Walt Disney Pictures, directed and co-produced by Jon Favreau (), and written by Justin Marks.
It was partly based on Disney’s original version but also drew more on Kipling’s original books, giving a rather darker tone
The Jungle Book exists in a strange limbo-world between live action and animation.
All the animals and landscapes, etc., were computer generated, (mostly) by the British digital effects house MPC.

https://www.youtube.com/watch?v=NSQcBZcvqpg 
scenes for The Jungle Book were first filmed using motion capture. ‘We motion-captured the entire movie before we filmed anything and we cut the whole film together,’ says
Favreau. 
Using that footage, the effects team then built the film’s sets virtually, a process known as previsualisation (previz). ‘Everything was mapped against the virtual sets. We designed
the sets like you would for a video game.’ (http://www.wired.co.uk/article/jungle-book-jon-favreau-disney-film)
The CGI was mostly created by MPC. 
Their website includes an excellent exposition of how the effects were created http://
www.moving-picture.com/film/filmography/the-jungle-book/
The VFX won both the BAFTA and Academy Award. The new film opens and closes using analogue techniques, however, referencing the original film: https://youtu.be/aZOUWQ6iox


Production:  The making of the film; pre-production and funding; shoot (format); post-production (SFX). 

Distribution: The way the film gets to screens; distribution company.

Marketing: The process of raising awareness; targeting an audience; creating publicity through various methods. 
A distributor is responsible for marketing a film

Exhibition: The way we view; getting the film to a paying audience. 



Blue Screen technology - Used primarily in the making of movies, this technology allows actors to perform in front of a blue background screen, upon which background images are superimposed later by computer.
Motion Capture - The process or technique of recording patterns of movement digitally, especially the recording of an actor's movements for the purpose of animating a digital character in a film or video game.
Previsualisation - Previsualization is the visualizing of complex scenes in a movie before filming.









Essay : You will create an essay which discusses the impact of technology on the way large organisations such as Disney create block buster films as a means of creating an enhanced viewing experience for consumption within the cinema.

A)Technology can impact whether or not there is an enhanced viewing experience. Everything in the film, other than Mowgli were created on computers, mostly by the British digital effects house MPC. Multiple technologies were used to give the animals a realistic look, and not in a cute and cuddly cartoon-style as with the original animated Jungle Book film.

One aspect of technology that was used was Previsualisation, which is the visualizing of complex scenes in a movie before filming. Previsualization was used to make all of the animal characters look more realistic and more immersive, in contrast to the 1967 version, where previsualization was not used. MPC ensured that the animals didn't have any human features in their character design.

Another aspect of technology that was used was Motion Capture , which is the process or technique of recording patterns of movement digitally, especially the recording of an actor's movements for the purpose of animating a digital character in a film or video game.

And Lastly, Green Screen is used
n



Friday, 2 November 2018

Advertising and Media (Jungle Book)

The media text is any media product we wish to examine. Every description or representation of the world, fictional or otherwise, is an attempt to describe or define reality, and is in some way a construct of reality, a text.

Media Language means the way in which a text is constructed to create meaning for a reader or viewer of the text.
Aspects of theoretical framework:

  • Language
  • Industry
  • Audience
  • Representation

Aim:  To study media texts in relation to media language, media representations and social and cultural context

Know:  Recognise how the media language of the jungle book (1967 & 2016) has changed over time
Know: Recognise how media representations of the jungle book (1967 & 2016) has changed over time
Do: study the social and cultural contexts that influence how media representations are created
Do: construct an essay on the Junglebook,s film trailer and advertising poster
Show: evidence of thee completion of the essay in blogger

Representation: refers to the construction in any medium (especially the mass media) of aspects of ‘reality’ such as people, places, objects, events, cultural identities and other abstract concepts. Such representations may be in speech or writing as well as still or moving pictures.
The 1967 is much more simple, as more primary and basic colours are used, whilst more realstic, dull, and less colourful colours are used.

John Favroe is the director of jungle book 2016
Jungle Book:
Based on Rudyard Kipling’s book THE JUNGLE BOOK (1894), the writer of the White Mans Burden Poem.
Kipling’s narrative contained “darker themes” and content which were judged to be unsuitable for a Disney film. 
Walt wanted a film that was “light, fun, and entertaining with happy song - good stuff, fun stuff.”
The story was modified by Larry Clemmons, who was given, a copy of Rudyard Kipling’s novel but told him that ‘The first thing I want you to do is not to read it’. To turn the book into a successful film many of the original characters and situations were cut out, creating a clear storyline.
At a superficial level the cartoon should not be offensive to anyone.

Actors who use Queen’s English are more likely to appear untrustworthy, experts have suggested, as it immediately suggests that they are from the upper classes.

King Louie has a very controversial origin, as he was based on a African American Jazz Singer, who goes by the name of Louie Armstrong. Louie, the Monkey-People’s, Orangutan ruler. Wants to learn how to make fire so that he can be like a man. This could easily be interpreted through a racial lens; the monkeys could be depictions of Africans wanting to learn how to be “civilized” equals of the white man.  I believe was intended, as it fits the context of when the movie was made, in 1967, when there was mass race segregation in America.

In the 2016 verison, King Louie was inspired by two things: Marlon Brando's role of Colonel Walter E. Kurtz in "Apocalypse Now" and an enormous extinct ape known as a Gigantopithecus that was indigenous to India, China, and Southeast Asia. They completely avoided the controversial, and racial issues, by completely changing the character and his accent.

ESSAY:
A) The Jungle Book has had two different adaptations. In both the 1967 adaptation and the 2016 adaptation, Shere Khan, the main antagonist, has a British voice. In the 1967 adaptation, he was voiced by George Sanders, a british man. Whilst, in the 2016 adaptation, he is voiced by Idris Elba, who is also a British man. A British character is used because experts have suggested, actors who use Queen’s English are more likely to appear untrustworthy, as it immediately suggests that they are from the upper classes. In the 2016 version, more muted colours are used to make the character more realistic, and fit a wider target audience. CGI is also used to make the character more realistic.

In the trailer of the 1967 version, the character of Rakshah does not appear at all, but was added in the 2016 version, as there was only one female character. This was done in order to attract more female viewers, as we know they attempted to make their target audience wider in the 2016 movie.

King Louie has a very controversial origin, as he was based on a African American Jazz Singer, who goes by the name of Louie Armstrong. Louie, the Monkey-People’s, Orangutan ruler. Wants to learn how to make fire so that he can be like a man. This could easily be interpreted through a racial lens; the monkeys could be depictions of Africans wanting to learn how to be “civilized” equals of the white man.  I believe was intended, as it fits the context of when the movie was made, in 1967, when there was mass race segregation in America. In the 2016 verison, King Louie was inspired by two things: Marlon Brando's role of Colonel Walter E. Kurtz in "Apocalypse Now" and an enormous extinct ape known as a Gigantopithecus that was indigenous to India, China, and Southeast Asia. They completely avoided the controversial, and racial issues, by completely changing the character and his accent.

Kaa was converted from being a man in the 1967 version, to be a woman in the 2016 version. This could have been done, in order to address the issue that the 1967 version have in its temporal validity, that there are not enough women in the version. This way, they would also be appealing to a larger target audience. A third, and final reason to do this was that the voice actor was changed to Scarlett Johansson, this was used in order for Kaa to have a more alluring voice, which adds to Kaa's seductive, deceptive character.

B)A variety of different marketing techniques were used in order to promote the 2016 movie.
One marketing technique used was teasing a small portion of the movie at the Disney fan convention in California, in front of a 7800 seat arena. This is a form of Tossing meat to the base.
In the 2016 version, a wider audience is targeted.

Another marketing technique is the video game, which is creating more awareness for the movie. The game was targeted at younger age demographic. This means that they are not forgetting their former target audience of kids. This is a way of targeting a wider target audience, as this would be necessary, due to the dark themes that are used.

A third marketing technique is Social Media. This was used to create awareness for the film, in a older target audience, as Social Media is mostly used by older people. This is a form of appealing to a wider target audience. Different Social Media's which were used were Twitter, and Snapchat.

Different technologies were used in order to do this. One of which was Blue Screen. Blue Screen was used in order to make the entire jungle look realistic and authentic. In the 1967 version, a Blue Screen wasn't used, and the jungle uses more saturated colours, in order to fit the more childlike tone. In contrast, in the 2016 version, more muted colours are used. Blue screen is also used to make all of the animal characters look more realistic and more immersive, in contrast to the 1967 version.

Previsualization is another technology which was used to simulate immersion. Previsualization was used to make all of the animal characters look more realistic and more immersive, in contrast to the 1967 version, where previsualization was not used. MPC ensured that the animals didn't have any human features in their character design.

And lastly, Motion Capture was also used. Motion Capture is the process of recording the movement of objects or people. It was used to in order to help make certain animals, such as King Loiue look more realistic, and less generic.

Marketing:

Publicity Stunt + Let viewers experience the story

Social Media

World Premier
Snapchat
Board Game
Collectables
Celebrity

Above the line (ATL) advertising is where mass media is used to promote brands and reach out to the target consumers.
Below the line (BTL)  advertising is more one to one, and involves the distribution of pamphlets, handbills, stickers, promotions, brochures placed at point of sale, on the roads through banners and placards.